Christopher Lee Zammit is a veteran feature film artist specializing in digital humans, creature texture painting, and look development, with additional expertise as a concept artist and art director.
His work spans some of the industry’s most iconic characters and assets, including:
Cable and Babylegs Deadpool (Deadpool 2)
The Death Star (Rogue One: A Star Wars Story)
Megatron, Hot Rod, and WWII Hot Rod (Transformers: The Last Knight)
Slimer (Ghostbusters)
The Red Queen and Time (Alice Through the Looking Glass)
Ghost and The Wasp (Ant-Man and the Wasp)
Titanus Behemoth (Godzilla: King of the Monsters)
Edvard Thing and Homeworld Thing (The Thing)
Additional film highlights include Man of Steel, The Avengers, Thor, The Hobbit trilogy, and Tomorrowland.
Christopher served as:
Asset Supervisor on Top Gun: Maverick and The Witches
Head of Assets and Art Director on seven projects at Mill Film
VFX Supervisor on Halo (TV series), The Offer, and David Cronenberg’s Crimes of the Future
He is currently writing and directing his debut feature, Dead Pixels — a bold, original film that blends genre satire with emotional depth.
Art Director for The Boys, The Expanse and other television shows. DFX Supervisor on Halo streaming in 2022 and Cronenberg’s Crimes of the Future.
VFX Supervisor on the Paramount+ series “The Offer”.
Films worked on:
Deadpool 2
The Meg
Ant-man and the Wasp
The First Man
Godzilla: King of Monsters
Viewpaint Artist (texture artist) and Look Development for the DMS team. Projects include Transformers: The Last Knight and Rogue One: A Star Wars Story. Assets assisted with include Megatron, leader of the Decepticons; Hot Rod, an Autobot sidekick; Bumblebee, an autobot; World War II Hot Rod, a historical version of Hot Rod; Scariff Tower Platform, a final stage area used for destruction sequences; the Death Star, a big giant planet killing ball.